Manifestations of the Ego in the Collection "Hakatha Ana" by Abdul Majeed Al Turki

Abstract

This research presents a psychoanalytic study of the manifestations of the ego and its transformations in the collection "Hakatha Ana" by the poet Abdul Majid Al-Turki. The research   aims to understand how the poet portrays the ego and transforms it into a poetic theme by observing its essence and textual manifestations. It examines the type of action through which the ego presents itself based on its true essence, and how poetry can comprehend the ego's vision of its existence and its endeavor to document its life. The research is divided into five main axes: analysis of the title "Hakatha Ana" between the visible and the invisible, the stage of the pure ego, the stage of the mirror, the stage of the ego's integration with others, and the stage of experiencing death. The research concludes that the Turkish poet primarily focuses on how to communicate with others despite differences in beliefs, views, convictions, and emotions. It emphasizes that knowing the ego is the first step in effective communication, as when an individual can establish communication with himself, they learn how to communicate with others.